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3 JulyOn the couch with Amaara Raheem   Amaara Raheem2026
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30 JuneAfter Agatha
Amaara Raheem 2026

15 MayRenée Copraij & Phillip Adams in Conversation
Facilitated by Rebecca Hilton2026

Maythree times three hours of yoga with Renée Copraij
Renée Copraij 2026

1 MaySlapdashOliver Savariego 2026
24 AprilOn the couch with Oliver Savariego
Oliver Savariego 2026

21 AprilDance on Loan — Shelley Lasica    Facilitated by Oliver Savariego 2026
7 April
Dance on Loan — Jo LloydFacilitated by Oliver Savariego 2026

24 MarchDance on Loan — Rebecca JensenFacilitated by Oliver Savariego 2026
20 & 21 March
Luck!
Amit Noy 2026

27 FebruaryThe Scrying Room (working title)Marcus McKenzie2026
24 FebruaryOn the couch with Marcus McKenzieMarcus McKenzie2026
30 JanuaryIn The Other RoomFleur Conlon2026
12 December Patterns poems and some mechanical prose spokenMarcus Bergner & Myriam Van Imschoot2025
6 December
Consequence – informal open rehearsal and work in progress showingSandra Parker2025

13 – 15 NovemberTemper #3 CYVASA 2.0Juliet Widyasari Burnett & Ishvara Devati2025
2 November
Front Studio Residency ShowingGabriella Imrichova2025

24 October
Temper #2 Tremble    
Liz Rosenfeld    2025

17 October
Temper #2 I live in a house with a door
Liz Rosenfeld2025

15 October
Queer Publications
APHIDs x Temperance Hall2025

5 September
When it is Finished Deanne Butterworth2025

20 – 22 August
Temper #1 Frankie No.1
Martin Hansen2025

13 July 
Winter Working Bee
2025

6 July
The Story of the Hare – Performance Geoffrey Watson 2025

29 June        
The Story of the Hare – Exhibition    Geoffrey Watson2025

30 April           
Fluid MemoriesChung Ngyuen    2025

22 February   
The WoundTony Yap   2025


Temperance Hall 2017-2023


TEMPER #1 Frankie NO.1



Martin Hansen

Performance

 

DATE & TIME
Wednesday 20 – Friday 22 August, 2025

LOCATION
Temperance Hall, Main Hall
199 Napier Street
South Melbourne

ACCESSIBILITY
Wheelchair accessible

CONTENT
Content Warnings

TICKETS
$15 Full


Frankie NO.1 is the first iteration in a series on grief and the body. Frankie NO.1 thinks of choreography as speculation, an open question. 

Like feeling the texture of something through a glove Frankie NO.1 frames the body as the imperfect and troubled mediator of emotion. Hansen acts as a conduit for a tentative offering, an unfolding of figures and fragments of dance, utterance, affect and tune. 

Looking as grief as taboo and as monstrous, Frankie NO.1 emerges in the body of the dancer, before etching a story of monstrous grief from the world of Romantic literature toward today. Reasmbling a Frankenstein lecture performance, an assemblage of effected parts is sewn together through association, through digression. Frankie NO.1 uses performance to search for a moment that is porous and leaky, where meaning can be complicated, unfinished, frayed, a conduit performance in hope of transgressions which may spill forth, come to, and awaken, again. 

CHOREOGRAPHY & PERFORMANCE by Martin Hansen 
SOUND by James Rushford



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Martin Hansen is a Temperance Hall TEMPER Artist for 2025.

Martin Hansen
is a choreographer and artist working primarily in theatre and gallery contexts. Throughout their body of work, they have sought to unfold temporalities, queer and otherwise around the body, dance and the economies of the theatre. In their practice, archives in the form of photography, film, video and GIF collections are used to critically explore memory and time, with ghosts recurring as generative figures upon which works are built. Since 2015, Martin’s solos and group works have been presented at venues such as Tanzfabrik, Sophiensaele, Radialsystem and Bärenzwinger (Berlin), PACT Zollverein (Essen), Rencontre Chorégraphique Internationales De Seine Saint Denis (Paris), Charleroi Danse and KANAL Centre Pompidou (Brussels), Hong Kong Arts Festival (Hong Kong), Dance Massive, Dancehouse, Frame Biennial (Melbourne), Aerowaves (Aarhus), and Carriageworks (Sydney). Martin has performed internationally for Sergui Matis, Tino Sehgal, Ligia Lewis, Christoph Winkler, Laurie Young, Chunky Move and Not Yet Its Difficult and in Australia for Sarah Aiken, Chunkymove and Not Yet It’s Difficult.

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TEMPER
is a new program inviting 3 choreographic artists/collaborations to develop and show new choreographic work at Temperance Hall, while in residence on-site in the Apartment Studio.

Bringing experimental, radical art/work/ideas/experiences/research/perspectives/practices/dances from farther afield to share with local audiences at Temperance Hall.

#1 Martin Hansen (Melbourne/Berlin): August

#2 Liz Rosenfeld (Berlin/London): October

#3 Juliet Widyasari Burnett (Gold Coast) and Ishvara Devati (Jakarta): November



TEMPER is supported by Creative Australia, the Australian Government's principal arts investment and advisory body.




Image credit: Jeff Busby; Videography: James Wright, NON Studio
Temperance Hall
199 Napier St, South Melbourne
Victoria, Australia
03 9645 9937
Monday–Friday, 9.30am–5.30pm

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